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OCTAVE CLANG v2 CLANG, THE WAY ITS MEANT TO BE. The highly coveted Octave Clang has made a triumphant return to Death By Audio's Queens workshop. Long presumed extinct, the OC was never really gone, merely in a state of hibernationevolving, refining, and enhancing its already extraordinary sound. In the decade since it disappeared, we revisited the original Clang circuit, sculpting it into something better a more ferocious, menacing, and thunderous force that is as usable as possible for today's musicians. Embraced by professionals and punks alike, the vintage Octave Clang was created to unleash distinctly unconventional tones that captivated the senses. In this it succeeded, but many users found it difficult to tame. Today, weve refined and extended the range of the original controls, added a footswitchable octave, and did some under-the-hood supercharging. The resulting circuit is an insane yet versatile beast, empowering you to easily sculpt discordant ringing drones, visceral octave scrapes, and ground-shaking distortion. The revitalized Octave Clang is primed and ready to destroy! OUTER CONTROLS Bypass/Left Footswitch - Turns the Octave Clang on and off red LED. Octave/Right Footswitch - Toggles the Octave Up mode yellow LED. The yellow LED stays on/off when the pedal is bypassed to indicate if the Octave Up is engaged. [Volume] - Controls the output level. Goes from totally silent to extremely loud. When set above your normal volume, it propels your chain into overdrive. [Gain] - Sets the gain of the Octave Clang. This can and will drive the rest of the circuit into overdrive and fuzz. Can provide up to +39dB of gain. [Tone] - A powerful pre-gain tilt EQ, this control adjusts the amount of highs and lows going into the rest of the circuit. This can make the octave and fuzz react very differently; overloading the lows yields a larger, more blown-out sound whereas overloading the highs gives a more cutting and clear sound. INNER CONTROL Advanced Feature [Bias] - Allows misbiasing the distortion circuitry. Leave this control in the middle 5-6 for standard functionality, or turn it left or right to skew the character of the distortion to a rougher sound. Access this control by removing the backplate of the Octave Clang. SPECS Dimensions - 4.8 x 3.7 x 2.1 including hardware. Weight - 11.5 oz. Power - The Octave Clang is powered by a standard 2.1mm 9V DC adapter with a center-negative polarity and draws 10 mA of current. Isolated power supplies are recommended. It is also possible to use the Octave Clang with a 9V battery not provided. When not using a battery, the internal battery snap should be attached to the corresponding battery snap holes on the board. This will prevent the contacts from shorting out against the circuitry. Do NOT leave the battery snap floating inside the pedal when not using a battery. Current Draw - 10 mA.

Death by Audio Octave Clang

PSYCHEDELIC VOCAL TRIP Designed for vocals, the Echo Master is a lo-fi, analog tape-style delay unit that can transform your voice into a chaotic realm of noise and feedback. The effects loop allows additional effects to be placed in the signal chain, making it easy to use with any of your favorite effects pedals on your vocal sound without any adapters. The Echo Master is not just a delay unit, however. It utilizes matched Bourns transformers on the input to create a vibrant-sounding and feedback-minimizing preamp to bring you phenomenal vocal quality before you even hit the PA. Your sound engineer will hate you because you'll sound better than ever without their help. Top it off with high-quality Neutrik XLR jacks and the Echo Master is the ultimate tool for taking total control of the sound of your voice. CONTROLS Time:Controls the delay time, with numbers labeled in milliseconds. In the Red Zone, the delay chip is pushed to the extreme. The signal decreases in fidelity as the time increases. F-Back:Controls the number of repeats in the delay circuit, anywhere from one to an infinite to a wall of oscillation. Mix:Controls the level of the delayed channel in comparison to the dry signal, from fully dry to an equal mix. Send/Receive:Plug out of the Send jack into any additional effects, then back into the Return jack to introduce new sounds into your vocals. This loop is before the delay line, allowing you to affect your dry vocals as well as the delay generated by the Echo Master. SPECIFICATIONS Dimensions:6.09" x 3.45" x 2.75" including hardware. Weight:16oz. w/ Alternate Back Plate 30oz. Power:9V runs on standard 2.1mm negative center 9V adapter. Current Draw:25 mA. Alternate Backplate:The Echo Master can also be purchased with a backplate that mounts to your mic stand. Puts the pedal within hands reach to maximize live performance tweak-ability. This recently upgraded V3, comes with a handgrip screw for more torque although it resembles the V1, this is a much sturdier model. Please note- cords, microphone, and stand are not included.

Death by Audio Echo Master

SPACE REFLECTIONS ROOMS is a stereo, multi-function digital reverb capable of searing volume, gated walls of sound, and long, trailing reverberant ambiances with an intuitive array of controls designed with live mood-bending in mind. ROOMS was designed to the highest standards of flexibility and audio fidelity. A studio-quality mixer section provides independent DRY and FX controls over six meticulously programmed reverb algorithms; ROOM, DIGIT, PEAK, GATE, WAVE, and GONG. Each different verb is capable of a universe of sounds, and ROOMS is here to help you explore them. ROOMS' creative I/O switching and dual-mono dry signal lines allow for a wealth of possible mono and stereo configurations, making it easy to route signals for parallel processing or stereo amplifier setups. CONTROLS FREQ:Controls the frequency parameter of the current mode. DEPTH:Controls the depth parameter of the current mode. TIME:Controls the reverb time in all modes. DRY:Controls the volume of the dry signal, from -inf to 20x gain. FX:Controls the volume of the reverb signal, from -inf to 20x gain. ALT:Engages the ALT mode, switching between two sets of controls. When active, FREQ is controlled with theFknob, DEPTH with theDknob, and TIME with theTknob. Additionally, the ALT mode turns on expression control of either FREQ or TIME using theFT Switchon the side of the pedal. NOTE: Expression control ONLY works in ALT mode and when an expression pedal is plugged in. SPECIFICATIONS Dimensions:5.95" x 3.86" x 2.96" including hardware. Weight:18 oz. Power:80 mA, 9V runs on a standard 2.1 mm negative center 9V adapter. Expression Pedal:Almost any expression pedal will work with ROOMS. When not plugged in, the controls work as normal. NOTE: Expression control ONLY controls theForTknobs when ALT mode is engaged and when an expression pedal is plugged in. MODES AND PARAMETERS: FREQ knob:DEPTH knob 1 - ROOM:Tone of Decay:Pre-Delay A classic reverb that simulates many different rooms. 2 - DIGIT:Delay Time:Delay Feedback A filter matrix verb capable of creating otherworldly resonances and fractured repeats. 3 - PEAK:Filter Frequency:Filter Resonance A super intense bandpass filter combined with an ambient reverb. 4 - GATE:Decay Tone:Gate Response Time A gated reverb. Short reverb times create a classic gate effect, long reverb times create a controllable freeze effect. 5 - WAVE:Modulation Frequency:Modulation Depth Creates a pitch vibrato effect. Lowering TIME will blend out the reverb signal, allowing sweeps from chorus/vibrato to long modulated reverbs. 6 - GONG:Modulator Frequency:Blends from Aliasing left to Ring Modulation right Ethereal, crushed reverb sounds guaranteed to make you star in the upcoming remake of DUNE and live out your sci-fi fantasies of space travel and galactic domination.

Death by Audio Rooms Stereo Reverberator

The DISTURBANCE is an extreme filter, flanger, and phaser with modulation like you've never heard before. DISTURBANCEs controls allow for a wide range of sounds to be sculpted perfectly to your needs. The Tensity knob changes the feedback amount and structure of all effects, with two totally different intensity options to choose from for each disturbing modulation. The Filter allows for deep swells and piercing resonance with highpass and lowpass options. The Flanger creates a classic modulation sound with options for watery, multi-tap delay matrixes or a screaming flange with distorted feedback. Last but certainly not least, the Phazer mode is a psychedelic 8-stage phaser sound with options for mellow filtered scoops on one side and combination phaser/flanger on the other. But thats not all - the pedal introduces a brand-new way to control an effect: The custom-designed modulation core lets you pause the LFO where it stands and listen to the strange world of frozen modulation. Not only does this new system control its own sounds, the DISTURBANCE includes a CV OUT jack which lets the modulation control signal be sent to whatever device dares let it in. Go forth and DISTURB and bend, break, and twist your sound! CONTROLS Filter/Flanger/Fazer:This switch selects the modulation type. Tensity:This knob sets the intensity of the effect, with different "-" and "+" mode for each modulation type. Center Point:This knob sets the center point for the modulation LFO. Width:This knob sets the width of the modulation LFO. Speed:This knob sets the speed of the modulation LFO.

Death by Audio Disturbance Extreme Filter, Flanger and Phaser

LUSH MODULATING ECHO A powerful, ethereal, and nuanced delay pedal with otherworldly controls. Push the feedback for vast worlds of colorful sound. Introduce a bit of warble with the modulator for ghastly chorus tones, or a ton of it to absolutely warp the delayed signal. Once your delay is thoroughly contorted, turn up the fuzz and pulverize it into repeating, shattered pieces. This is the preferred echo for recording engineers and touring pros around the world because, simply put, it just sounds that good. From delicate, beautiful sounds to yawning voids of fuzz and feedback, the Echo Dream II is ready to transform anything you throw at it. CONTROLS Master:Sets the overall volume. Fuzz:Sets the amount of gain, from clean to fuzzed-out bliss. Delay:Sets the volume of the delayed signal. D Time:Controls the delay time numbers shown in milliseconds between 20 ms and 1 second. Long delay times can create flutter, noise, and distortion. FBack:Controls the feedback of the delays, from slapback to wild runaway oscillation. Left Toggle:Up for clean blend,down to kill the dry signal and hear only the repeats. Speed:Controls how fast the modulator runs. Depth:Sets how far the modulator will swing the delay time. At high intervals, the pitch of the repeats will shift several semitones! Right Toggle:Up for a smoother modulator waveform,down for a sharp, square-shaped wave. SPECIFICATIONS Dimensions:5.87" x 4.72" x 2.35" including hardware. Weight:21 oz. Power:9V runs on standard 2.1mm negative center 9V adapter or included 9V battery. Current Draw:40 mA.

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