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Plastic Polish Set (1ea #1, #2 & Polish Cloth)

This bottle of cleaner can be used on any plastic or acrylic surface, for an anti-static, smudge-, and scratch-resistant coat to keep your display cases, salad bars, and buffet presentations looking pristine and inviting. You'll only need to use one bottle for all your plastic and acrylic surfaces. Novus No. 1 is excellent for polishing out scratches in windshields, helmet shields, goggles and other items; significantly reduces haziness. It contains no abrasives or harsh chemicals and leaves a smooth, clean, greaseless shine and resists fingerprints. It is perfect for protecting, cleaning and polishing acrylic/polycarbonate protective shields. Use the NOVUS Plastic Polish #1 to keep your shields clear and safeguarded from scratches.Instructions: If the surface is extremely dirty, apply NOVUS No. 1 liberally and wipe using long, sweeping strokes. Do not use pressure at this time, or large dirt particles may scratch the plastic. Reapply NOVUS No. 1. Polish using short, circular strokes with a clean portion of the cloth. When the surface is thoroughly cleaned and uniformly covered, buff to a slippery glaze with a fresh part of the cloth. Surfaces buffed to a high glaze are more resistant to dust and future scratching. Reapply NOVUS No. 1 regularly to maintain the antistatic, smudge, and scratch-resistant properties.

NOVUS 7020 Plastic Clean & Shine #1, 8 Ounce Bottles, Pack of 6

Tracks: Nebuchadnezzar Spiritual Awakening Governer, The Deep in the Shed Mysterious Interlude E. DankworthPerformer Notes: <ul><li>Directed by Jim Gabour.</li><li>Filmed at The Saenger Performing Arts Center, New Orleans, and Destrehan Plantation, Destrehan, Louisiana.</li><li>Personnel includes: Marcus Roberts (piano), Wessell Anderson, Herb Harris, Todd Williams (saxophone), Scotty Barnhard, E. Dankworth (trumpet), Wycliffe Gordon (trombone), Chris Thomas, Reginald Veal (bass), Maurice Carnes (drums), Herlin Riley (drums, percussion).</li><li>Personnel: Marcus Roberts (piano); Wessell Anderson (alto saxophone); Herbert Harris (tenor saxophone); Scotty Barnhart , E. Dankworth (trumpet); Wycliffe Gordon (trombone); Herlin Riley (percussion).</li><li>Recording information: 08/09/1989-12/10/1989.</li><li>Pianist Marcus Roberts' second album as a leader is plagued by an excess of seriousness and an overly high if noble sense of purpose that made one wonder if writer Stanley Crouch was starting to influence Roberts. The music is often so dry and sober as to be lacking the joy of life. The six Roberts originals, although referred to by Crouch in the liner notes as blues, have the feeling rather than the 12-bar structure of the blues and are generally quite melancholy. Roberts utilizes several of Wynton Marsalis' sidemen including the trumpeter himself (under the pseudonym of E. Dankworth) and the expert wa-wa trombone of Wycliffe Gordon, who gives the date a much needed dose of humor. Marcus Roberts also plays quite well but one wishes he had lightened up a bit. ~ Scott Yanow</li></ul>Professional Reviews: Option - "..smart jazz..."Format: CD (1 Disc); StereoStudio/Live: StudioRelease Date: 13 March, 1990Label: Sony MusicDimensions: 12.5 x 12.9 x 1 centimeters (0.17 kg)

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