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Lucy Temple (1828) is a novel by Susanna Rowson. Inspired in part by the author's experiences in America-she was brought there by her father, a Royal Navy officer, and place under house arrest during the American Revolution-Lucy Temple, the sequel to her bestselling novel Charlotte Temple, fits squarely into the popular genre of the seduction novel. Alongside such works as Hannah Webster Foster's The Coquette (1797), Rowson's novel continues to inform scholars on the historical portrayal of women's sexuality in English and American literature. "Such an assemblage of youth and innocence naturally attracted the young soldiers: they stopped; and, as the little cavalcade passed, almost involuntarily pulled off their hats. A tall, elegant girl looked at Montraville and blushed: he instantly recollected the features of Charlotte Temple, whom he had once seen and danced with at a ball at Portsmouth." From this brief chance encounter, so much suffering ensues. Not long after meeting her on the street, Lieutenant John Montraville seduces young Charlotte and convinces her to leave her family and friends behind to join him in the new world. There, spurred on by rumors of infidelity and harboring his own sinister motives, he soon abandons his innocent wife, leaving her alone in a country where nobody knows her name. Although her father reaches her in time to see her once more, she soon succumbs to illness and poverty, leaving a young daughter behind. Lucy Temple is a tragic story of romance and morality from a leading writer and educator of her time. With a beautifully designed cover and professionally typeset manuscript, this edition of Susanna Rowson's Lucy Temple is a classic work of British-American literature reimagined for modern readers.

Lucy Temple (Mint Editions)

As Americans began defining who was to be counted a citizen in their newly-established republic, Susanna Rowson's comic opera Slaves in Algiers (1794) makes an earnest case that women be accorded the rights guaranteed to men, playfully turning sexual hierarchies on their head: "Women were born for universal sway; / Men to adore, be silent, and obey." A fast-paced plot, engaging characterization, and rollicking songs ensured that Slaves in Algiers garnered success when it was first performed at the New Theater in Philadelphia. But Rowson's play also engages in perpetuating racial stereotypes: set in Algiers at a time when Barbary pirates were seizing more and more U.S. ships in the Mediterranean Sea, Slaves in Algiers is written for a largely white audience driven by outrage at the enslavement of white people in the Barbary states. The play is critical of many aspects of North African cultures, particularly the practices of piracy and enslavement, while not

Rowson, Susanna(2)

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