Name: Canon RF70-200mm F2.8 L is USM Z Black
Brand: Canon
SKU: 4GJKGY1FRZWG
Price: 4654.97 CAD
Availability: InStock
Rating: 5 (12 reviews)

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Canon RF70-200mm F2.8 L is USM Z Black

New internally zooming, internal focus F2.8 L-Series hybrid telephoto zoom lens featuring an iris ring for manual iris control.||Nano USM motors are used for two floating focus units that can work in tandem or independently providing fast and quiet focus - great for video.||L-Series level durability and weather-resistant construction for use in harsh environments helps ensure reliability and dependability.||Compatible with Power Zoom Adapters PZ-E2/PZ-E2B.||Focus breathing control during video shooting.

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The RF35mm F1.4 L VCM is an entirely new L-series lens, targeting a wide range of still-image and video shooters, with a combination of very moderate wide-angle coverage, a fast f/1.4 maximum aperture, and excellent optical design. On a full frame camera this lens gives you a slightly wide-angle look which has for decades been used in photojournalism and street photography, and has become a very popular wedding shoot look. On the video side, this lens really shines with a dedicated manual Iris ring, and a new linear focus motor called a VCM (Voice Coil Motor) that is virtually silent. The VCM works in tandem with a Nano USM on the floating focus unit for incredibly fast autofocus. And finally, focus breathing is barely noticeable on this incredibly versatile lens.

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The original RF70-200mm F2.8 L USM is one of the best lenses I've ever owned, and it's portability is unmatched in its class. So I had absolutely no interest in the RF70-200 "Z" version... until I tried it. It is faster-focusing, sharper, and requires much less barrel rotation to zoom from one end of its range to the other. Granted, it's not as short as the original RF70-200 "at rest," yet it is also nothing short of amazing.

Surprise, surprise!

canon.com

There's nothing I can say about the lens that hasn't already been said: handy for a great number of situations and a must-have for most professionals. That you already know. 

What you might NOT know is that this one is super sharp, has no chromatic aberration, and is sharp even on the R7, where you get a 112-320 f/4. So it's GREAT paired with the R7 (or any of the other APS-C bodies) for outdoor sports and some wildlife photography! 

If you've got the money for it then this is the one to have.

Best 70-200 f/2.8  they've ever made

All I expected. Very Sharp, Very Fast. I Loved my original EF 70-200 2.8L and this is a big step forward.

Excellent lens

Thoroughly impressed by the quality of the lens. Great pairing with the RF x1.4 extender as the quality still remains sharp. Worthwhile investment.

Extremely sharp and great autofocus

New to this lens, but love the internal focusing.  Lots of experience with the older EF70-200 lens, so a bit of an adjustment to learn new positions for focus and zoom rings.  Seems to integrate well with the R5M2.

Nice!

This is an amazing all around, everyday lens. This could definitely be your one and done.

Absolutely  Amazing

Well you have watched all the YouTube reviews and read all the FB posts and Forum reviews.  If you want an RF 2.8 it really isn't any "better" than it's predecessor in terms of image quality but here's what I agree with.  Definitely more balanced.  Definitely a nicer throw.  And possibly a split second quicker AF.  As anyone that shoots for business knows a 70-200 2.8 is mandatory.  This is just the most modern updated user friendly in the RF lineup and it's really good and I expect the internal zoom will help it take a beating and last long.

Upgraded Pro Workhorse

I was on the fence for some time but finally decided to pull the trigger, and I am so glad I did. This lens is incredible....I use this with my R5. I am not a pro. I love photography and my kids both play college sports (my daughter plays volleyball and my son is a pitcher). I have become the team photographer by default. I also love nature photography.....ok, with that said, let's talk about this lens. It is fast! GREAT focus and ULTRA sharp. My images are so clean, and 2.8 makes it great....I'm sure you have read multiple reviews, as I did. One thing they did not mention is that the ability to zoom in and out quickly, steadily and with one finger allows me to catch some really great action shots. It didn't take much practice to get this down, but it made a HUGE difference in being able to move the camera from pitcher to outfield to 1st bast, etc. I can shoot in electronic shutter and get just the right shot. Paired with the 2x converter, I have pretty much all I need...and the ability to shoot at 400mm at 5.6 is really great. The images are spectacular and the bokeh is great. Image stabilization seemed unnecessary to me until I put the 2x....what a difference! The only realistic negative (cost is a negative, but now that I have used it for a couple of months, it was worth it!) is the weight, especially with the 2x. Between the camera, grip, etc., this gets heavy, especially when we have double headers. Get a good monopod and your life will get much better (and your arm will thank you). I can easily say this is the best lens I have ever purchased. It is so good that I'm strongly considering the 24-70 Z (maybe next year). This lens has taken me to the next level. It is a game changer!

Pull the trigger!

For a sports (action, not volume) photographer, the 70-200mm F2.8 is the standard, must-have, use every day lens. The improvement in my images is PHENOMENAL. I first picked up a camera on October 31, 2022. After purchasing this lens at Imaging USA 2025 (9 months ago), the quality has been tripled or even quadrupled. 

The price tag is not that much higher than the non-Z RF 70-200mm, and every penny spent will come back to you exponentially. Highly, HIGHLY recommended.

For reference, my daily bodies are the R6MII and the R6. I also have an R5 that is mainly used for portraits/sportraits.

This has kicked my sports photography into overdrive!

This lens is a sweet spot for mid‑range zoom work and absolutely shines for track‑and‑field video. For 8K RAW, it's been perfect — the 24–105mm doesn't reach enough, the 100–500mm overshoots, but this one lands right in the Goldilocks zone. It's also much lighter than both, and still supports the RF 1.4x extender throughout the full zoom range. Stabilization is phenomenal. I can shoot handheld with smooth, controlled pans, and DaVinci Resolve's stabilization takes it even further. Autofocus is fast and sticky, iris response is great, and the whole system runs silently. Add the PZ‑E2 and the power‑zoom experience becomes genuinely impressive for the 'Z' title. And here's a big win: unlike the other two lenses restrictions, this one can record 8K RAW videos using only the LP‑E6P batteries — no external power bricks needed for handy shootings.

Great 8K RAW video, PZ-E2 zooming, light weight, sharp, silent, fast.