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It's Alive: Bringing Your Nightmares to Life

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<p><strong><em>Nightmares come to life in this comprehensive how-to guide for new and established authors...</em></strong><br /> <br /> Book two in Crystal Lake Publishing's The Dream Weaver series picks up where the Bram Stoker Award-nominated <em>Where Nightmares Come From: The Art Of Storytelling In The Horror Genre</em> left off.<br /> <br /> <em>It's Alive: Bringing your Nightmares to Life</em> focuses on learning the craft in order to take your story from concept to completion.<br /> <br /> With an introduction by Richard Chizmar and cover art by Luke Spooner. Featuring interior artwork from horror master Clive Barker!<br /> <br /> Table of Contents: </p> <ul><li>Introduction by Richard Chizmar</li><li>Confessions of a Professional Day Dreamer by Jonathan Maberry</li><li>What is Writing and Why Write Horror by John Skipp</li><li>Tribal Layers by Gene O'Neill</li><li>Bake That Cake: One Writer's Method by Joe R. Lansdale and Kasey Lansdale</li><li>Ah-Ha: Beginning to End with Chuck Palahniuk and Michael Bailey (Discussing the Spark of Creativity)</li><li>They Grow in the Shadows: Exploring the Roots of a Horror Story by Todd Keisling</li><li>Sell Your Script, Keep Your Soul and Beware of Sheep in Wolves' Clothing by Paul Moore</li><li>The Cult of Constraint (or To Outline or Not) by Yvonne Navarro</li><li>Zombies, Ghosts and Vampires Oh My! by Kelli Owen</li><li>The Many Faces of Horror: Craft Techniques by Richard Thomas</li><li>Giving Meaning to the Macabre by Rachel Autumn Deering</li><li>The Horror Writer's Ultimate Toolbox by Tim Waggoner</li><li>Sarah Pinborough Interview by Marie O'Regan</li><li>Conveying Character by F. Paul Wilson</li><li>Sympathetic Characters Taste Better: Creating Empathy in Horror Fiction by Brian Kirk</li><li>Virtue & Villainy: The Importance of Character by Kealan Patrick Burke</li><li>How to write Descriptions in a story by Mercedes Yardley</li><li>"Don't Look Now, There's a Head in That Box!" She Ejaculated Loudly (or Creating Effective Dialogue in Horror Fiction) by Elizabeth Massie</li><li>Point of View by Lisa Mannetti</li><li>What Came First the Monster or the Plot? In Conversation with Stephen Graham Jones by Vince A. Liaguno</li><li>Building Suspense by David Wellington</li><li>Conveying Horror by Ramsey Campbell</li><li>Unveiling Theme Through Plot: An Analysis of Nathaniel Hawthorne's "The Birthmark" by Stephanie M. Wytovich</li><li>Interview with Clive Barker by Tim Chizmar</li><li>World Building (Building a terrifying world) by Kevin J. Anderson</li><li>Speak Up: The Writer's Voice by Robert Ford</li><li>Writing for a Better World by Christopher Golden</li><li>Shaping the Ideas: Getting Things from Your Head to the Paper or on Screen. Interview with Steve Niles, Mick Garris, Heather Graham, Mark Savage, and Maria Alexander by Del Howison</li><li>On Research by Bev Vincent</li><li>Editing Through Fear: Cutting and Stitching Stories by Jessica Marie Baumgartner</li><li>Leaping into the Abyss by Greg Chapman</li><li>Edit Your Anthology in Your Basement for Fun and Profit! . . . or Not by Tom Monteleone</li><li>When It's Their World: Writing for the Themed Anthology by Lisa Morton</li><li>Roundtable Interview by John Palisano</li><li>The Tale of the Perfect Submissions by Jess Landry</li><li>Turning the Next Page: Getting Started with the Business of Writing by James Chambers</li></ul> <p><br /> Proudly represented by Crystal Lake Publishing--Tales from the Darkest Depths.</p>

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